Las óleos de todo Carlo Crivelli


ID Image  Painting (From A to Z)       Details 
21230  
Carlo Crivelli, Annunciation whit St Emidius (mk08)
 
 Annunciation whit St Emidius (mk08)   1486 Oil on canvas,Transferrde to wood 207x147cm London National Gallery
669  
Carlo Crivelli, Annunciation with Saint Emidius
 
 Annunciation with Saint Emidius   1486 National Gallery, London
33402  
Carlo Crivelli, Annunciation with St Emidius
 
 Annunciation with St Emidius   mk86 1486 Oil on canvas,transferred to wood 207x147cm London,National Gallery
58511  
Carlo Crivelli, Annunciation with St. Emidius
 
 Annunciation with St. Emidius   Annunciation with St. Emidius (1486) 207x146,5 cm National Gallery, London.
40257  
Carlo Crivelli, Annunciation with St. Endimius
 
 Annunciation with St. Endimius   mk156 1486 Oil on canvas transferred to wood 207x147cm
58514  
Carlo Crivelli, Crivelli
 
 Crivelli   Crivelli's 1480 painting of Madonna_and_Child, at Metropolitan Museum of Art, New York City.
58512  
Carlo Crivelli, Crivelli 1476 painting of Saint Stephen
 
 Crivelli 1476 painting of Saint Stephen   Crivelli's 1476 painting of Saint Stephen, with three stones and the martyrs' palm.
53709  
Carlo Crivelli, Faith madonna with child, and the donor
 
 Faith madonna with child, and the donor   mk234 about 1470 130x55cm
39429  
Carlo Crivelli, Jakobus of the boy with the Hl. Philippus and Bernhard
 
 Jakobus of the boy with the Hl. Philippus and Bernhard   mk148 Jakobus the boy to the left) considered usually to be Jesu brother becomes he holds a Tuchwalker-pole in the hand the tool its execution around 62n.Chr.)
20083  
Carlo Crivelli, James of the Marche with Two Kneeling Donors (mk05)
 
 James of the Marche with Two Kneeling Donors (mk05)   Wood 78 x 25 1/2''(198 x 65 cm)Entered the Louvre in 1862
42868  
Carlo Crivelli, La Madonna della Rondine
 
 La Madonna della Rondine   mk170 1490-1492 Oil and egg tempera on poplar 150.5x107.3cm
670  
Carlo Crivelli, Lamentation over the Dead Christ
 
 Lamentation over the Dead Christ   1485 Museum of Fine Arts, Boston
671  
Carlo Crivelli, Madonna and Child Enthroned with a Donor
 
 Madonna and Child Enthroned with a Donor   1470 National Gallery of Art, Washington DC
40210  
Carlo Crivelli, Madonna of the Passion
 
 Madonna of the Passion   mk156 c.1460 Tempera on panel 71x48cm
94653  
Carlo Crivelli, Madonna with Child
 
 Madonna with Child   1470 (1470) Location Pinacoteca de Macerata cyf
85742  
Carlo Crivelli, Pieta
 
 Pieta   Date second half of 15th century Medium Oil on wood cjr
55993  
Carlo Crivelli, scene of pork butcher s shop
 
 scene of pork butcher s shop   mk247 c.1510,fresco (detail),castle lssogne,aosta valley,ltaly
84866  
Carlo Crivelli, St James of the Marches with Two Kneeling Donors
 
 St James of the Marches with Two Kneeling Donors   Dimensions Height: 198 cm (78 in). Width: 64 cm (25.2 in). Medium English: oil on wood Date 1477 cjr
672  
Carlo Crivelli, St.James of Marche with Two Kneeling Donors
 
 St.James of Marche with Two Kneeling Donors   Musee du Louvre, Paris
673  
Carlo Crivelli, St.Roch
 
 St.Roch  
42867  
Carlo Crivelli, The Annunciation
 
 The Annunciation   mk170 oil and egg tempera on canvas 207x146.7cm
55972  
Carlo Crivelli, the annunciation,with st.emidius
 
 the annunciation,with st.emidius   mk247 1486,egg tempera and oil on canvas,81x57.675 in,207x146.5 cm,national gallery,london,uk
42866  
Carlo Crivelli, The Dead Christ Supported by two angels
 
 The Dead Christ Supported by two angels   mk170 1473-1475 Tempera on poplar 72.4x55.2cm
55974  
Carlo Crivelli, the vision of the blessed gabriele
 
 the vision of the blessed gabriele   mk247 c.1489,oil and egg tempera on poplar,55.5x34 in,141x87 cm,national gallery,london,uk
42865  
Carlo Crivelli, The Vision of the Blessed Gabriele Ferretti
 
 The Vision of the Blessed Gabriele Ferretti   mk170 circa 1489 Oil and egg tempera on poplar 141x87cm
45685  
Carlo Crivelli, Vekundigung at the Maria
 
 Vekundigung at the Maria   mk186 1486 London, Natinal Gallery

Carlo Crivelli
1430-1495 Italian Carlo Crivelli Locations 1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.



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